{"id":8856,"date":"2024-03-24T05:37:52","date_gmt":"2024-03-24T04:37:52","guid":{"rendered":"https:\/\/www.kontakt.org.rs\/?p=8856"},"modified":"2024-03-24T05:44:58","modified_gmt":"2024-03-24T04:44:58","slug":"kontakt24-kratka-prica-o-ex-yu-vremeplovu-kroz-price-i-ploce","status":"publish","type":"post","link":"https:\/\/kontaktbeograd.rs\/sr\/kontakt24-kratka-prica-o-ex-yu-vremeplovu-kroz-price-i-ploce\/","title":{"rendered":"#Kontakt24: Kratka pri\u010da o Ex Yu vremeplovu kroz pri\u010de i plo\u010de"},"content":{"rendered":"

Panel „Ex-Yu vremeplov kroz pri\u010de i plo\u010de“ na Kontakt konferenciji posvetio se petom, dopunjenom izdanju ExYu rock enciklopedije autora Petra Janjatovi\u0107a. U dijalogu sa Darkom Kujund\u017ei\u0107em, \u010duvenim grafi\u010dkim dizajnerom omota za brojne jugoslovenske bendove, rasvetljeni su klju\u010dni momenti i uticaji koji su oblikovali jugoslovensku rok scenu.<\/p>\n

Janjatovi\u0107 je objasnio kako se proces prikupljanja i selekcije informacija promenio tokom godina. U digitalno doba, izazov je postao selekcija relevantnih podataka iz mora dostupnih informacija. Rutina uklju\u010divanja novih informacija u rad, kad god na njih nai\u0111e, postala je sastavni deo Janjatovi\u0107evog pristupa odr\u017eavanju aktuelnosti enciklopedije.<\/p>\n

Razgovor se pro\u0161irio na uticaj digitalizacije na muzi\u010dku scenu. Janjatovi\u0107 je istakao primer reizdanja albuma „Bitanga i Princeza“ od Bijelog Dugmeta, gde su originalni analogni snimci pokazali ve\u0107u trajnost u odnosu na digitalne formate, podcrtavaju\u0107i va\u017enost o\u010duvanja originalnih materijala.<\/p>\n

Pri odabiru omota za svoju knjigu, Petar Janjatovi\u0107 vodi se kriterijumima koji prenose duh jugoslovenske rok scene. Svaki omot predstavlja vi\u0161e od vizuelnog identiteta. On nosi emociju i istoriju.<\/p>\n

Za svoje delo „Ex-Yu Vremeplov kroz Pri\u010de i Plo\u010de“, Janjatovi\u0107 je birao omote koji odra\u017eavaju raznolikost i bogatstvo rok kulture biv\u0161e Jugoslavije. Njegov cilj bio je da vizuelno predstavi su\u0161tinu muzi\u010dke ere koja se prote\u017ee kroz knjigu.<\/p>\n

Janjatovi\u0107 nagla\u0161ava da je omot vi\u0161e od dekoracije. On je klju\u010dan za povezivanje \u010ditalaca sa sadr\u017eajem i evociranje nostalgije. Tako\u0111e, omoti imaju va\u017enu ulogu u o\u010duvanju vizuelne istorije rok scene.<\/p>\n

Nadovezav\u0161i se na to, Kujund\u017ei\u0107 je podelio iskustvo kreiranja omota za reizdanje albuma „Pljuni istini u o\u010di“ od Buldo\u017eera, gde se originalni materijali i fotografije koriste za vra\u0107anje albuma u \u017eivot. Ovaj proces ne samo da \u010duva estetiku originalnih izdanja, ve\u0107 i slu\u017ei kao most izme\u0111u pro\u0161losti i sada\u0161njosti, istovremeno pru\u017eaju\u0107i kontekst socijalnom i politi\u010dkom pejza\u017eu vremena. Kujund\u017ei\u0107 je naglasio da pri reizdanjima kultnih albuma zadatak na\u0107i originalne fotografije, ali kako to \u010desto nije mogu\u0107e, snalazi se kako zna i ume rekreiraju\u0107i originalni omot, tra\u017ee\u0107i originalne fontove, ispravljaju\u0107i eventualne gre\u0161ke koje su postojale u potpisima ili u grafici u prethodnim izdanjima.<\/p>\n

Renesansa vinilnih plo\u010da i knjiga kao kulturnog dobra nagla\u0161ena je kroz projekte poput vinilnog reizdanja albuma „\u0160arlo Akrobata“. Ovi projekti ne samo da \u010duvaju istoriju, ve\u0107 pru\u017eaju novim generacijama uvid u bogatstvo jugoslovenske rok scene.<\/p>\n

Kroz dijalog Petra Janjatovi\u0107a i Darka Kujund\u017ei\u0107a na panelu „Ex-Yu vremeplov kroz pri\u010de i plo\u010de“, osvetljen je zna\u010daj o\u010duvanja jugoslovenske rok ba\u0161tine. Primeri poput reizdanja klasi\u010dnih albuma i izazova u prikupljanju i selekciji informacija u digitalno doba ilustruju kako je muzika ostala vitalni deo regionalnog kulturnog identiteta, inspiri\u0161u\u0107i i povezuju\u0107i generacije.<\/p>\n

Foto: Belkisa Abdulovi\u0107<\/p>\n<\/div>

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